Cloud Bass

Alibaba.com

Overview

Product sourcing insights & recommendations

www.kvraudio.com
www.sound-dust.com
26 来源

The "Cloud Bass" market is characterized by three distinct product paths: a unique digital virtual instrument for avant-garde composers, a high-end boutique guitar brand (Black Cloud) favored by professional J-Rock artists, and the iconic "Cloud" body shape legacy of Prince.

Market Potential & Trends

  • Experimental Audio: Consumers are moving away from standard orchestral sounds toward "distressed" textures. The digital Sound Dust Cloud Bass library fulfills this niche by using unconventional "garden twine" bowing Sound-DustKvraudio.
  • Boutique Growth: Japanese brand Black Cloud has gained significant international traction through artist endorsements, positioning itself as an accessible boutique alternative to ultra-premium brands Equipboard.
  • Legacy Replenishment: The Cloud Prince design remains a staple for enthusiast collectors, with reliable B2B sourcing available for wholesale replicas AlibabaBlogspot.

I have generated a comprehensive report detailing these segments, consumer insights, and specific B2B sourcing benchmarks for your review.

The Cloud Bass market offers distinct opportunities in digital sound design and boutique physical gear. You can continue with:

Deep Dive · Full Report

Full Market Report

2 documents · Live-fetched from source

Sources & References

26 sources cited · Verified industry data & reports

Cloud Bass by Sound Dust - Double Bass

www.kvraudio.com

Double bass × garden twine ÷ √ (sub bass + reverb) = CLOUD BASS Like the other members of the CLOUD family (see CLOUD VIOLA and CLOUD CE... Like the other members of the CLOUD family (see CLOUD VIOLA and CLOUD CELLO) CLOUD BASS is made by ditching the conventional bow in favour of a ridiculous system of springs and pulleys that drag coarse industrial grade garden twine over the strings of the double bass to create a long, slowly distressed new bowing articulation. Recorded with different microphone techniques and mixed with more conventional double bass articulations and a selection of multi sampled analogue sub bass waveforms CLOUD BASS is a very different beast to the usual orchestral or jazz double bass sample libraries. Sub Bass: six selectable analogue multi sampled waveforms recorded from Moog Voyager and DSi Pro 02.

Cloud Bass | sound-dust

www.sound-dust.com

Like the other members of the CLOUD family (see CLOUD VIOLA and CLOUD CELLO) CLOUD BASS is made by ditching the conventional bow in favour of a ridiculous system of springs and pulleys that drag coarse industrial grade garden twine over the strings of the double bass to create a long, slowly distressed new bowing articulation. Recorded with different microphone techniques and mixed with more conventional double bass articulations and a selection of multi sampled analogue sub bass waveforms CLOUD BASS is a very different beast to the usual orchestral or jazz double bass sample libraries. Expect amazing unheard sounds - low raspy rumbling, cinematic thuds and booms, delicate wispy swarms and CLOUD BASS can easily do a half decent LOVE CATS ... 'This is mad and I love it !' Andy Britton - composer and producer (Baby Strange, Longfellow, Neon Waltz, Amy MacDonald) CLOUD BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player.

Cloud Bass - Sound Dust

dulcitone1884.virb.com

Like the other members of the CLOUD family (see CLOUD VIOLA and CLOUD CELLO) CLOUD BASS is made by ditching the conventional bow in favour of a ridiculous system of springs and pulleys that drag coarse industrial grade garden twine over the strings of the double bass to create a long, slowly distressed new bowing articulation. Recorded with different microphone techniques and mixed with more conventional double bass articulations and a selection of multi sampled analogue sub bass waveforms CLOUD BASS is a very different beast to the usual orchestral or jazz double bass sample libraries. Expect amazing unheard sounds - low raspy rumbling, cinematic thuds and booms, delicate whispy swarms and CLOUD BASS can easily do a half decent LOVE CATS · 'This is mad and I love it !' Andy Britton - composer and producer (Baby Strange, Longfellow, Neon Waltz, Amy MacDonald) double bass × garden twine ÷ √ (sub bass + reverb) = CLOUD BASS

Buy Cloud Bass By Sound Dust - 5% Back

pulse.audio

Like the other members of the CLOUD family (see Cloud Viola and Cloud Cello) CLOUD BASS is made by ditching the conventional bow in favour of a ridiculous system of springs and pulleys that drag coarse industrial grade garden twine over the strings of the double bass to create a long, slowly distressed new bowing articulation. Recorded with different microphone techniques and mixed with more conventional double bass articulations and a selection of multi sampled analogue sub bass waveforms CLOUD BASS is a very different beast to the usual orchestral or jazz double bass sample libraries. This is mad and I love it! Andy Britton - composer and producer (Baby Strange, Longfellow, Neon Waltz, Amy MacDonald) There are no reviews yet. Be the first to review “Cloud Bass” Cancel reply This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. adroll_adv_id = "GPRUKMZ36BH5HILTGJXAOB"; adroll_pix_id = "OT2MMUHA5BAM7GGXDPMNF5"; adroll_version = "2.0"; adroll_current_page = "product_page"; adroll_currency = "USD"; adroll_language = "en_US"; adroll_products = [{"product_id":"35055","price":"55.00","category":"ambient","name":"Cloud Bass"}];

Cloud Bass Alpha

www.cloudbassalpha.com

Cloud Guitar – Madcats & Clouds

madcatsandclouds.com

Sadly Dave Rusan has recently announced that his trade in Cloud guitars is under threat. It seems that Paisley Park have asked him to surrender a trademark that was awarded to him in 2018, and by doing so Dave’s thriving business in creating Cloud guitars will have to stop. Prince appointed many builders of the Cloud guitar over the years. In 1983 the guitar builders at the Knut-Koupee Music Store (where Dave Rusan worked) were asked if they could copy the Sardonyx bass and create a guitar version. Although the configuration, build quality, and some design elements such as colours vary with these copycats, there is a single fundamental with all of them. The basic shape is the same as the Cloud Bass built by Sardonyx. We know that the original shape of the body, the curl around the jack input, the distinctive horn on the upper bout, and the flamboyant asymmetrical headstock shape, were all designed by Jeffrey Levin, going by the name of Sardonyx. If you ask a casual bystander if the Sardonyx bass and the white Cloud guitar were the same basic design, the answer is yes, every single time. The Cloud bass was a one-off, meant to be used by the builder alone, so there was no reason to apply for a design patent. Jeffrey had no idea how iconic his design would eventually become. So is it fair that Dave Rusan, Paisley Park, or anyone else could establish a trademark or patent for something that was not their original design?